
My latest gallery client, Keith Talent Gallery in London, has moved to a new location, and launched their new website powered by ArtCat.

My latest gallery client, Keith Talent Gallery in London, has moved to a new location, and launched their new website powered by ArtCat.
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This is a VernissageTV video of a performance by Rachel Mason at Kunsthalle Zürich, Switzerland. In this clip she performes “Dzhokhar Dudayev (Chechen Wolfes)”. Visit the VernissageTV website for more information and more video.
Here is my quick video of Flora Wiegmann‘s performance during the preview of the Whitney Biennial as part of the “Animal Estates” project of Fritz Haeg. Click the screen icon on the lower right for a bigger version. She’s a wood duck!
Visit this New York Times article for more information on the artist.
Click here if you don’t see the video above.

Kim Jones, Untitled, 2001-2007
Acrylic, Ink on Color Photograph, 18 × 12 inches
Today is the last day for the Kim Jones exhibition at Pierogi. I recommend a visit if you can fit it in today, as the painted photographs in the back room are some of my favorite works I’ve ever seen by him. I think there is a bit of William Blake in these magical works.
[image from Pierogi’s website]
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video still

installation view
Julika Rudelius
Economic Primacy, 2005
two channel video
17:56 min., color, sound
edition of 7
James and I saw this video last week as part of the “Bare Market” exhibition and I keep thinking of it. The description from the press release is below.
In Julika RudeliusÂ’ two-channel video Economic Primacy, an all male cast of Dutch CEOs share their thoughts about power, money, and success. Interviewed using a hidden earpiece, they respond to RudeliusÂ’ questions over the phone while she is situated in another room. Set in a generic office space of RudeliusÂ’ own construction, the intensity of focus and sense of observation are penetrating. The blankness of the office tells of a certain lofty separation, perhaps out of touch, from the rest of society. With this framing in double-screen, she heightens the candid nature of the conversations. Views on the role and importance of money as the ultimate measure of love, image, and success follow with snide quips on class and race.
The man on the right in the installation shot talks about how good money is as an objective measure, even for love. He speaks of asking a woman how much money it would take to make her leave her boyfriend.
Much of the discussions end up on the subject of the modern welfare state at some point, with these CEOs talking about people who don’t work hard enough. One thing that shocked me was hearing the man in the top image mentioning what his monthly salary is. It’s surprisingly low, and is more in the range of what a corporate lawyer with a few years of experience earns in New York. Our CEOs would laugh at the thought of such a salary.
I just realized that I first saw the artist’s work in an open studios event for the international studio & curatorial program (iscp) at Elizabeth Foundation. It was work from her series “Forever.” See this Time Out NY review by Lauren Cornell for information on that project.
All photos are courtesy of Thierry Goldberg Projects. The artist also has a website.
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I met the lovely couple that run Marx & Zavattero at Schroeder Romero’s last opening, as they represent David Hevel as well. When they changed the gallery’s name from Heather Marx Gallery to Marx & Zavattero, they promoted the name change with this combination mini level and tape measure.

James took the photo for me. Look for my notes on the Whitney Biennial’s press preview tomorrow or Friday.
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This is what the canvas looked like after Lilibeth Cuenca Rasmussen‘s re-enactment of “Anthropometries of the Blue Period” (1960) by Yves Klein. Go here to see my full flickr set. Unfortunately I ran out of space on my camera before she did Yoko Ono’s “Cut Piece.” I also added one more video at blip.tv.
Lilibeth Cuenca Rasmussen recreates Shigeko Kubota’s 1965 performance “Vagina Painting” at her opening at Renwick Gallery. Click the screen icon below the image to make it bigger. This was one of 13(!) recreations in addition to her performance of her piece “The Artists’ Song” in a three hour time span. She is hardcore.
Yes, that guy in the yellow shirt in the background really is working his Blackberry the entire time. I was standing near him earlier and heard him raving about security prices in after-hours trading.
I will be adding some images to a flickr set when I have time to edit them a bit, but here is one of her reenacting Janine Antoni’s “Loving Care”, 1992-1996.
Click here if you don’t see the video at the top of the post.
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It’s time to brave the cold and support one of these two wonderful art non-profits.
DUMBO Arts Center Silent and Live Auction

David Humphrey, Landscape Kitties, 2004
The d.a.c. benefit reception begins tonight at 6pm, with a live auction at 8pm that includes the David Humphrey painting above in the impressive roster:
Ivin Ballen, Sarah Beddington, Christo, Andrew Eutsler, Tolland Grinnell,
Mimi Gross, Mary Heilmann, Christopher K. Ho, David Humphrey, Kristian
Kozul, Thomas Lendvai, Jessica Levine, Guy Richards Smit, James Siena,
Nicolas Touron Claes Oldenburg, Liselot van der Heijden, Lawrence Weiner,
Robert Whitman, Peter Young, Purvis Young, Daniel Zeller, Balint Zsako
Visit the website to view all of the works. You can bid on the excellent silent auction online.
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