Culture

  • Good stuff

    We saw two shows worth recommending in Chelsea today, before heading to the Paper Rad opening — which is definitely recommended!

    The first is Paper Chase at Axel Raben, curated by Renee Riccardo. Jon Rosenbaum’s little paper sculptures are magnificent, as are many other works in the show.

    The second is Joseph Maida at Wallspace. We realized after looking at his web site that we had seen one of his park images in a group show at the gallery. Also, he did the photo of Christian Holstad that appeared in the New York Times Magazine last October.

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  • Paper Rad @ Foxy Production

    Two camera phone photos from tonight’s opening of Paper Rad at Foxy Production:

    paperrad-foxy1.jpg paperrad-foxy2.jpg

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  • Pool Art Addict: A New York Underground Art Fair

    Cool. A small art fair in a small new hotel (a Sheraton Four Points!) in Chelsea.

    Pool Art Addict, May 13-16, see the web site.

    Pool Art Addict: A New York Underground Art Fair, May 13-16, 2004, is set to premiere at the new Four Points Hotel, a needle-thin 22-story structure that went up last fall on a former parking lot at 160 West 25th Street in Manhattan’s Chelsea district. The fair is organized by Frére Independent (headed by Thierry Alet, an artist and co-founder of NYArts Magazine), which has taken the top four floors of the hotel and lined up 20 independent exhibitors. Designed to bring little-known artists to public attention during the spring contemporary art auctions, Pool Art Addict includes exhibitors such as the Nigerian Embassy, which is showing works by Ibiyinka Olufemi Alao; curator Amy Davila, who has organized an installation by Emily Lutzker; Le Triage Art Center from Paris, which is sponsoring Florent Mattei; and the Art & Culture/Anne-Marie Melster Gallery from Germany. General admission is $7; tickets to the opening night gala on May 13 are $30.

    [via Artnet]

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  • Last chance

    Here is your “last chance” reminder on a couple of things.

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    The Civilians: Gone Missing
    (Back: Jennifer Morris, Maria Dizzia, Trey Lyford; Front: Damian Baldet, Michael Esper, Alison Weller)

    First, think about joining us for The Civilians‘ benefit on Friday in Chinatown. I already wrote about it here.

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    I Miss You Alreaday, 2004
    Tracey Baran

    Second, April 17 is the last day of Tracey Baran‘s brilliant show at Leslie Tonkonow.

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  • Mao’s official photographers

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    At ease: Hou Bo’s portrait of Mao and family at the seaside

    When Mao Zedong proclaimed his new Socialist China in October 1949 from the great gate of Tiananmen, he walked to the balcony’s edge, looked over to the cheering crowds, and called out: “Long live the people!” Moments later, he was captured by the photographer Hou Bo, in that now-famous image, as he declared into the microphone: “The Chinese people have stood up.”

    In the photograph, we don’t see the Chinese people themselves, listening in the square below. Mention of them – and even the greeting Mao had used – would soon become subversive. The next time Tiananmen Square would hear “Long live the people!” was 40 years later, when it was shouted by students calling for democracy, shortly before the tanks moved in.

    The photograph of Mao on the balcony can now be seen in a fascinating and disturbing exhibition at the Photographers’ Gallery, London, that is largely devoted to the work of Hou Bo and Xu Xiaobing, the husband-and-wife team who became Mao’s official photographers.

    Monster at the Beach, The Guardian, April 10, 2004

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  • A little tussle regarding the cutting edge

    However, not everyone is impressed with Williamsburg’s economic potential. Some, like Bellwether Gallery‘s director, Rebecca Smith, see more limitations than possibilities. “A lot of people think Williamsburg is cutting edge,” Smith says. “It’s not, it’s just low risk, without being particularly experimental.”

    Frustrated with her inability to get Manhattan collectors to travel across the bridge, Smith is relocating to Chelsea, even though she runs one of the better-known galleries in the neighborhood.

    Not surprisingly, many disagree with both her claims of poor foot traffic and her opinion of Williamsburg.

    “She’s going where the money is, and the power,” artist Powhida says. “I don’t blame her for wanting to sell her artists, but how good they are is up for debate. She’s not all that cutting edge either.”

    Newsday/AP – Williamsburg comes of age

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  • Joe Ovelman – the buzz

    detail of installation of C-prints

    Joe Ovelman has a solo show at Oliver Kamm/5BE Gallery.

    James has a post up about the show.

    It’s now listed as a pick on the Village Voice web site, plus Paige West (Art Addict) and the art weblog have mentioned him.

    Go see it! We have already decided to buy a few works in the show.

    [photo from James’s write-up]

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  • If Albert Speer had worked for Donald Trump

    … he might have done something like this. Actually, that’s not fair to Speer. He was a pretty good architect.

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    A look at the World War II Memorial from atop the Washington Monument as it nears the end of construction. (Ricky Carioti – The Washington Post)

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  • Adam Cvijanovic in Philadelphia

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    Adam Cvijanovic’s mural of Osage Avenue in “Ideal City” at the Pennsylvania Academy of Fine Arts

    We have seen every almost every show in New York of Adam Cvijanovic‘s work since Richard Anderson first showed him in the early 90s. I think he is a very smart artist and great painter, and, like so many artists we know, is a sweet person who has managed to not be chewed up by the Art World. He has a show at the Academy of Find Arts in Philadelphia titled “Ideal City.”

    Roberta Fallon, of artblog fame, has a great interview with him on Artnet.com.

    His choice of thematic material for the show is interesting, playing off two aspects of Utopian thinking in Phildelphia history: the Quakers and MOVE.

    [photo from Artnet.com]

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  • Tim Hailand

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    Tim Hailand, Untitled (SLUT) 1996

    ¡Mira, mira! I didn’t know Tim Hailand had a website!

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