• IAM5! – International Art Market @ Parker’s Box

    This opens tonight, along with many other shows (see ArtCal), and looks well worth a visit, either tonight or this weekend, as it ends Sunday.

    Parker’s Box is delighted to announce its fifth annniversary, and in the true spirit of this celebration, we have invited a houseful of guests (artists, galleries, art publications, activists and nonprofits) to participate in a three day art “market” event that turns the tables on galleries representing artists, in order to have a number of artists “represent” their galleries through specific projects presented together under the same conditions and in similar spaces.

    ArtCal has the full details.

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  • Columbia, graduate students organizing, and corporate academia

    A couple of weeks ago, I wrote about a strike by the graduate students at Yale, who do much of the teaching. The Nation has a web article on what’s happening at Columbia by Jennifer Washburn, a fellow at the New America Foundation and the author of University, Inc.: The Corporate Corruption of Higher Education.

    Columbia is using tactics that would be illegal for any regular employer to use, but the private universities have seen to it that grad students aren’t covered, and have hired union-busting law firms to advise them. The Nation has a pdf of a letter from liberal historian Alan Brinkley, currently Columbia’s Provost, discussing retaliatory actions to be used against students trying to organize.

    The memo, dated February 16, 2005, is signed by none other than Alan Brinkley, a well-known liberal historian who is now serving as Columbia’s provost. Brinkley has gone out of his way to assure outside observers, including New York State Senator David Paterson, that “students are free to join or advocate a union, and even to strike, without retribution.” Yet his February 16 memo, addressed to seventeen deans, professors and university leaders, lists retaliatory actions that might be taken against students “to discourage” them from striking. Several of these measures would likely rise to the level of illegality if graduate student employees were covered under the National Labor Relations Act.

    Such measures include telling graduate student teachers and researchers who contemplate striking that they could “lose their eligibility for summer stipends” (i.e., future work opportunities) and also “lose their eligibility for special awards, such as the Whitings” (a prestigious scholarship and award program). Yet another proposal cited in the memo would require students who participated in the strike “to teach an extra semester or a year” as a condition for receiving their scholarly degree.

    Not a very nice example for some of the wealthiest institutions in the country to be setting.

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  • James Wagner, curator

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    Untitled, 1988
    Mark Morrisroe
    three dyed x-rays, 17” × 14” each

    His new art “career” continues to grow…

    James is the curator for this month’s Visual AIDS web gallery.

    You’ll want to read his statement while looking at the images, as he wrote about each artist’s work.

    [image from Visual AIDS]

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  • Pink Houses

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    John Schenck and Robert Loyd

    Two of my mother’s friends in Conway, John and Robert are featured in a documentary titled Pink Houses tomorrow at the New York International Independent Film and Video Festival. We had a lovely lunch with them this afternoon.

    Here is the description from the festival:

    Pink Houses (51 minutes)
    Director: Jonathan Crawford
    Genre: Documentary

    Pink Houses documents an enduring love in an intolerant culture. The film tells the story of John Schenck and Robert Loyd, two men who experienced Stonewall and Vietnam, and now live in rural Arkansas. John and Robert have orchestrated many protests and demonstrations, but their most persuasive activism is their loving thirty year relationship. Pink Houses shows us that love is the most important aspect of marriage.

    There was an article about the film in the statewide paper recently (the Arkansas Democrat-Gazette). I’m quoting it, since none of my readers are likely to find another way to see it…

    Gay Conway couple documented in film. Hendrix junior debuts Pink Houses

    BY DEBRA HALESHELTON ARKANSAS DEMOCRAT-GAZETTE
    CONWAY — To get to the home of John Schenck and Robert Loyd, no address is needed. Just ask almost anyone in Conway for directions to the Pink House, and that person can point the way, like it or not.

    And they may not.

    The two-story Queen Anne house, actually pink and blue, has a “Teach Tolerance” sign above the front entrance. It is home to gay hairstylists Schenck and Loyd.

    In the past year the two have gone from relative unknowns to political activists. Their sexual orientation has landed them at the head of a gay-pride parade along the streets of Conway, in the center of more than a little controversy — not to mention manure — and now in a film documentary.

    The film, produced by Hendrix College student Jonathan Crawford, is titled Pink Houses.

    “I used Pink Houses to say this is more than one household of people. ItÂ’s just presented through… this couple,” said Crawford, a junior English major. “ItÂ’s about the gay population and their rights” or the fight for those rights.

    The 51-minute film, already presented twice at Hendrix, is scheduled for a May 3 showing in New York. The film, CrawfordÂ’s first, will be among nearly 300 featured at the New York International Independent Film and Video Festival.

    Before that, it will be shown Friday and Saturday at the University of Central Arkansas as part of Reel Attractions: Arkansas LGBT (Lesbian, Gay, Bisexual and Transgender ) Film Festival.

    The New York festival showcases films from around the world. Past festivals have included the works of Susan Sarandon, the late Rod Steiger and Meryl Streep. The festival is promoted as “dedicated to making things happen for emerging filmmakers and screenwriters.”

    Crawford, 22, made the film last year as part of an independentstudies project. He had interned at Arkansas Educational Television Network but mostly learned “by trial and error and books and asking people… kind of shoestringing it,” he said in a recent interview.

    He said that between him and his parents, he probably spent $4,000 on the film, mostly for the camera.

    “We were impressed that a heterosexual male would take the time and trouble to investigate and validate our lives,” Loyd said in an interview last week.

    “I was absolutely floored that anybody would be brave enough” to do this film, added Schneck, who grew up in Long Island, N.Y.

    If the film makes people think about prejudice, it will have accomplished something, he said. The documentary opens with the camera scanning the coupleÂ’s attractively decorated home: lace curtains, Hollywood photographs and autographs, elegantly framed personal pictures — including one of their “wedding” on the state Capitol steps — and their Canadian marriage license.

    The dialogue opens with the tall, slightly heavyset Schenck and the much smaller Loyd, both 55, sitting in their home and assailing President Bush and Gov. Mike Huckabee for opposing gay marriage.

    The men, partners for 30 years, view their Capitol “wedding,” one of several ceremonies theyÂ’ve had, as a necessary protest.

    “It was not a real wedding. It was not a legal wedding. But it was a morally correct wedding, and it was a statement against a government that should not be sticking their noses into our business anymore,” says Loyd, a Vietnam veteran whose graying hair was a bleached blond in the photograph.

    While the film is presented from the viewpoint of these two men, it also includes comment from a representative of the Family Council — a Little Rock-based organization that promotes traditional family values — and television footage of Greenbrier farmer Wesley Bono talking about his decision to spread a dump-truck load of manure along streets around the Pink House on the day of last summer’s gay-pride parade.

    “It didnÂ’t stop us,” Schenck says in the film, while standing outdoors with Loyd. “It smelled horrible for a couple of days, but weÂ’re used to dealing with manure.”

    The film also shows footage from the parade, including its more than 100 marchers as well as scores of praying, sign-toting protesters.

    Schenck and especially Loyd donÂ’t mince words in the film. The take swipes at some of the areaÂ’s residents, including those they consider bigots. They say they received death threats after a newspaper ran a story about their efforts to teach tolerance in a class at UCA.

    “We were just trying to bring the community together, educate the children a little bit so they wouldnÂ’t grow up to be the same rednecks and haters that their parents were,” says Loyd, who grew up in Damascus.

    In their 19 years in the Pink House, the two say, people have driven by and shouted derogatory names, shot at their house, broken their car windows and destroyed holiday decorations.

    “One year we had a 9-foot Energizer bunny,” Loyd says. “It was decapitated Easter morning. I thought that was a little extreme.”

    Loyd and Schenck fire a few verbal shots themselves, at police and the Robinson & Center Church of Christ, whose building sits across the street from the Pink House.

    TheyÂ’ve filed a federal civil rights lawsuit that names the Conway Police Department, Faulkner County sheriffÂ’s office and an officer in each agency.

    The lawsuit stems from a Jan. 18, 2003, incident, when the men say a county officer was verbally abusive after they complained about a car blocking their driveway.

    They say that officer and a city officer later pushed open their salon door and handcuffed them. Although they were jailed and charged with disorderly conduct, the charges were later dismissed, Schenck said in a brief interview Friday.

    A Conway police spokesman, Lt. Danny Moody, declined to comment Thursday on the allegations. A sheriffÂ’s spokesman, Lt. Jack Pike, could not be reached for comment.

    In the film Loyd says he and Schenck have “always had trouble” with the neighboring church members.

    In the interview the two men complained about some teenagers making insulting comments. Schneck said they talked with the churchÂ’s youth minister, though, and “that ended.”

    “We still get stares. They donÂ’t go out of their way to be nasty anymore,” he said.

    In a statement Friday, a church minister, Danny Holman, said, “We have taught the members here the importance of being respectful of all men, even those with whom we have disagreements, and the homosexual community specifically.”

    He said Schenck and Loyd complained in 1998 about one youthÂ’s comments. Holman said he advised that youth to “disagree respectfully.”

    Kevin Asman, a Hendrix English professor acted as CrawfordÂ’s project adviser on the film, called it “a fabulous first effort.”

    “He used very limited resources to produce a film that has a lot of artistic merit to it,” Asman said.

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  • Happy May Day

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    Rosa Luxemburg

    Freedom only for the members of the government, only for the members of the Party — though they are quite numerous — is no freedom at all. Freedom is always the freedom of dissenters. The essence of political freedom depends not on the fanatics of “justice”, but rather on all the invigorating, beneficial, and detergent effects of dissenters. If “freedom” becomes “privilege”, the workings of political freedom are broken.

    Rosa Luxemburg

    Go here for more information on May Day.

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  • David Humphrey @ Morsel

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    Do not miss David Humphrey’s installation at Morsel, up through June 5th, titled Oven Stuffer Roaster. The title comes from the fact that he created these works using those turkey balloons with pilgrim hats one sees around Thanksgiving in the front yards of houses in neighborhoods such as Williamsburg.

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  • Momenta benefit this Saturday

    Tickets are still available to my favorite art benefit.

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  • Diary of a Stewardess

    We all have your guilty pleasures, and this blog is mine. She’s working as a flight attendant, but she is also an artist. I met through a friend and fellow art blogger.

    Don’t miss her review of the new Lincoln “museum.”

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  • Grad students on strike at Yale

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    Photo by Matt Connors from from April 11th march

    Yale opposes the unionization of graduate students, who do a great deal of the teaching at most universities these days. Matt Connors, who recently had a show of his paintings at Jeff Bailey Gallery, is working on his MFA there, and wrote to me about it. There was a strike last week, and I believe Columbia grad students were involved in a solidarity action. Quoting his email:

    The art school is one of the only graduate programs at Yale that receives almost no tuition remission, no health care and gets paid less than half of other graduate student teachers.

    Knowing what it costs to get an MFA at Yale, and knowing the odds of an artist making enough money to pay off the debt required, this means the diversity of the student body becomes rather limited — those rich enough or crazy enough to risk it.

    Here is a web page on the strike, plus an article from the Yale Daily News.

    P.S. I have four(!) significant consulting projects going on right now, so I apologize for the rather light blogging.

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  • Microsoft and Ralph Reed

    Not only are they backtracking on gay rights, Microsoft pays right-wing anti-gay Ralph Reed $20,000/month for “lobbying services.”

    Again, go to AMERICAblog for the story.

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