• Bloggy takes Los Angeles

    James and I are headed to the west coast! I’m going to the Open Source Conference in Portland, OR at the end of July, and then we’ll be in Los Angeles the first week of August.

    I’ve never been to LA, if you can believe it. We aren’t going to spend a huge amount of time going to see art, but I know we’ll hit Terence Koh’s show at Peres Projects and the Made in Mexico show at the Hammer.

    Cool hotel, restaurant, architectural, whatever recommendations are welcome.

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  • Museum Mile

    museum-mile.jpg

    Tomorrow is Museum Mile Day – 9 museums along Fifth Avenue open for free, 6-9pm, and the avenue closed to traffic. It’s one of my favorite art things in NYC. Great crowd, great vibe.

    The Metropolitan has August Sander, the Byzantium show, the show of 18th century French fashion and furniture, and more. The Goethe Institute always has some interesting stuff too. Oddly, the Neue Galerie web site says that their expressionism show closes today.

    P.S. I turn 38 tomorrow. Condolences may be put in the comments.

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  • Good stuff I’ve seen lately

    OK. Not going to talk about dead presidents or war anymore for a bit. I may not even read the news except for arts coverage for a while.

    Recently seen work of note:

    Vicki Sher at Jessica Murray Projects. The show ends June 13. I don’t think this image, or the other on the web site, do her work justice. They are beautiful, disturbing pencil and watercolor works.

    vicki-sher-kristin.jpg

    Vicki Sher, Kristin, 2004
    graphite, colored pencil and watercolor on paper, 13 1/2 x 18 1/4″

    While you’re at the gallery, you might want to ask to see the prints that Brady Dollarhide has been working on. They’re great. Also, check out the latest work by Jackie Gendel. She’s making some interesting wax and oil (and maybe graphite?) works. I’ve been watching her work since seeing it in a group show at White Columns.

    joy-garnett-Air_Strip.jpg

    Joy Garnett, Air Strip (2003) 44 x 84 inches. Oil on canvas.

    There is a group show called Active Duty, described as

    Armed Artists of America (AAA)

    Armed with ideas and the tools to create a rapid response agenda
    to stop the global progression towards world war three.

    organized by Lee Wells at Studio 84 (84 South First Street between Berry and Wythe in Williamsburg) with some great work. Joy Garnett is among the artists in the show, which is up through July 4. It’s wonderful to see a painter of great skill doing politically-inspired work. I love everything I’ve seen by her, including her show at Debs & Co. Check out the review of that show by Tyler Green. Joy also has work in a good group show at Gigantic Artspace called Tactical Action, up through June 10, and Terrorvision at Exit Art, up through July 31.

    Updated: Thanks to Tyler Green I now know that Joy Garnett has a weblog.

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  • costofwar.com

    Good site. costofwar.com keeps track of the dollar cost of the Iraq war so far, and compares it to other things we could be spending it on. An example: we could have provided health insurance for about 50 million children for one year with the amount spent so far.

    [via Chris Winters]

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  • Dreamland Artist Club

    Creative Time’s latest project is super cool: They have artists working with Coney Island businesses to give them groovy new signs. The artists include David Humphrey, Nicole Eisenman, Jules de Balincourt, Jack Pierson, and others.

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  • AIDS? What’s that?

    OK. One more Reagan post and then I’m going to ignore everything about him.

    I recommend writing to the Public Editor of the New York Times and ask why their huge obituary fails to mention AIDS. If you’re feeling particularly ambitious, ask about a few other items:

    • No mention of the illegal mining of Nicaraguan harbors during the Contra/Sandinista period [On The Issues]
    • No mention of Reagan’s support for the apartheid regime of South Africa. In 1985, Reagan one day announced that the vicious apartheid regime of P.W. Botha had already “eliminated the segregation that we once had in our own country.” [The Nation]
    • His support of military death squads in El Salvador (try googling the El Mozote Massacre) is simply “In El Salvador, the Reagan administration supported the government against a Marxist insurgency.” [ibid.]

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  • Reagan is dead

    Some excerpts from The Truth About Reagan And AIDS by Michael Bronski, November 2003:

    For the past two months I’ve been teaching a course entitled “Plagues and Politics: The Impact of AIDS on U.S. Culture” at Dartmouth College and have spent an enormous amount of time thinking about the AIDS pandemic.

    As we read about and discuss the history of the American AIDS epidemic in class, my students — all Reagan babies, born between 1981 and 1985 — are often dumbfounded when faced with simple facts. Although AIDS was first reported in the medical and popular press in 1981, it was only in October of 1987 that President Reagan publicly spoke about the epidemic. By the end of that year 59,572 AIDS cases had been reported and 27,909 of those women and men had died. How could this happen, they ask? Didn’t he see that this was an ever-expanding epidemic? How could he not say anything? Do anything?

    But the public scandal over the Reagan administration’s reaction to AIDS is complex and goes much deeper, far beyond the commander-in-chief’s refusal to speak out about the epidemic. Reagan understood that a great deal of his power resided in a broad base of born-again Christian Republican conservatives who embraced a deeply reactionary social agenda of which a virulent, demonizing homophobia was a central tenet. In the media men such as Pat Robertson and Jerry Falwell articulated these sentiments that portrayed gay people as diseased sinners and promoted the idea that AIDS was a punishment from God and that the gay rights movement had to be stopped. In the Republican Party, zealous right-wingers such as Rep. William Dannemeyer of California and Senator Jesse Helms of North Carolina hammered home this message. In the Reagan White House, people such as Secretary of Education William Bennett and Gary Bauer, Reagan’s domestic policy adviser, worked to enact it in the administration’s policies.

    What did this mean in practical terms? Most importantly, AIDS research was chronically under-funded. When doctors at the Centers for Disease Control and the National Institutes of Health asked for more funding for their work on AIDS, they were routinely denied it. Between June 1981 and May 1982 the CDC spent less than $1 million on AIDS and $9 million on Legionnaire’s Disease. At that point more than 1,000 of the 2,000 reported AIDS cases resulted in death; there were fewer than 50 deaths from Legionnaire’s Disease. This drastic lack of funding would continue through the Reagan years.

    When health and support groups in the gay community were beginning to initiate education and prevention programs, they were denied federal funding. In October 1987 Senator Helms amended a federal appropriations bill to prohibit AIDS education efforts that “encourage or promote homosexual activity” — that is, efforts that tell gay men how to have safe sex.

    When Rock Hudson, a friend and colleague of the Reagans, was diagnosed with AIDS and died in 1985 (one of the 20,740 cases reported that year), Reagan still did not speak out as president. When family friend William F. Buckley, in a March 18, 1986, New York Times opinion article, called for mandatory testing for HIV and said that HIV-positive gay men should have this information forcibly tattooed on their buttocks (and IV-drug users on their arms) Reagan said nothing. In 1986 (after five years of complete silence), when Surgeon General C. Everett Koop released a report calling for AIDS education in schools, Bennett and Bauer did everything possible to undercut and prevent funding for Koop’s too-little-too-late initiative. Reagan, again, said and did nothing. By the end of 1986, 37,061 AIDS cases had been reported; 16,301 people had died.

    I told one of my students that the most memorable Reagan AIDS moment for me was at the 1986 centenary rededication of the Statue of Liberty. The Reagans were there sitting next to French President Francois Mitterand and his wife, Danielle. Bob Hope was on stage entertaining the all-star audience. In the middle of a series of one-liners Hope quipped, “I just heard that the Statue of Liberty has AIDS but she doesn’t know if she got it from the mouth of the Hudson or the Staten Island Fairy.” As the television camera panned the audience, the Mitterands looked appalled. The Reagans were laughing. By the end of 1989 and the Reagan years, 115,786 women and men had been diagnosed with AIDS in the United States, and more than 70,000 of them had died.

    Here are some MP3s of music I’m using to celebrate. Listen to them while you read James‘ post.

    sylvester.jpg

    Sylvester, 1946? – 1988, death from AIDS

    Sylvester – You Make Me Feel (Mighty Real)

    Thelma Houston – Don’t Leave Me This Way

    Vicky Sue Robinson – Turn The Beat Around

    I wonder how Jesse Helms is feeling tonight?

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  • Terence Koh

    Funny Artnet interview with Terence Koh, AKA asianpunkboy.

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  • Tonight’s Chelsea openings

    There are a lot, but the ones we plan to hit are:

    Bellwether‘s inaugural show in Chelsea, 6-9pm. It’s a group show with 24 of their artists.

    The gallery that started the Williamsburg -> Chelsea trend, Foxy Production, has a group show titled “Glad Day”, featuring Jane Benson, Sean Dack, David Noonan, and Joshua W.F. Thomson. I’ve seen some pretty interesting drawings by Thomson at the gallery on previous visits. The server hosting their site is down at the moment, so here is the info:

    Foxy Production, 6-8pm
    547 West 27 St, FL 6
    (between 10 and 11 avenues)
    t: 212 239 2758
    e: info AT foxyproduction DOT com

    White Box has a show of contemporary Greek art which opens tonight, 6-8pm.

    You can use Douglas Kelley‘s (mostly accurate) list to see more. Others of note include a group show at Jeff Bailey and a show curated by Augusto Arbizo that looks great at Artemis Greenberg Van Doren (for the uptown crowd).

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  • A glimpse of the Baghdad art scene

    Back to Iraq 3.0 has a post and images from a contemporary art show in Baghdad.

    [via thickeye]

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