• Joe Ovelman – Two Walls

    Untitled (blue star)

    Untitled (blue star), Joe Ovelman

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    Joe Ovelman

    “Two Walls”

    Appearing Saturday, September 13th

    at the following locations:

    10th Avenue, between 23rd and 24th Streets (Next to Car Wash)
    West 25th Street, between 10th and 11th Avenues (To the right of 531
    West 25th)

    Joe Ovelman and Oliver Kamm/5BE Gallery are pleased to announce the
    installation of two walls of images on Saturday, September 13. These
    are the fifth and sixth walls in Joe Ovelman’s series of outside
    installations using walls from construction sites.

    The walls consist of 124 feet of combined images culled from Ovelman’s
    photographic work.

    Joe Ovelman will have a solo show of new work at Oliver Kamm/5BE
    Gallery in February 2004.

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    UPDATED Saturday 1pm: The one on Tenth Avenue is still there, but the one on 25th Street has been torn down. We wouldn’t want art defiling a big plywood wall while construction is being done, would we?

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  • $87 billion

    Shock and Awe has a good Harpers Index style post about that $87 billion. For example, it is $10 billion more than the combined GDP of Iraq and Afghanistan.

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  • Herbert Muschamp on Ellsworth Kelly

    Herbert Muschamp, my favorite writer on architecture and public spaces, writes in the September 11, 2003 NY Times about receiving this collage from Ellsworth Kelly:

    kelly-wtc.jpg

    “On October 19, 2001,” it began, “I wrote a letter to you (that I never sent) in response to an article in The New York Times which discussed the controversy of what was to be planned for the `Ground Zero’ space, asking artists and others for their opinions.” Mr. Kelly noted that two other artists, Joel Shapiro and John Baldessari, had urged that no building be erected at the site and that the architect Tadao Ando had made a similar proposition.

    “At that time, my idea for the World Trade Center site was a large green mound of grass,” he continued.

    More recently he saw an aerial photograph of the site on the cover of the Aug. 31 Arts & Leisure section of The Times. “I was excited to see the site from this vantage point,” he wrote. “I was inspired to make a collage of my idea for the space of which I am sending you.”

    “I feel strongly,” he continued, “that what is needed is a ‘visual experience,’ not additional buildings, a museum, a list of names or proposals for a freedom monument.” These, he said, are “distractions from a spiritual vision for the site: a vision for the future.”

    Now Muschamp writes:

    Some think that minimal art is our country’s most important contribution to culture. I’m not sure that this is true, or that it’s even an American invention. Mies van der Rohe had developed it in architecture before setting foot on our soil. Yet it is true that minimalism has held a particular appeal to Americans. It enables us to withdraw from the midst of complexity without denying the manifold reality of contemporary life.

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  • The root of man’s cultural advance

    This tendency toward the unnecessary and in some cases even injurious elaboration of culture is one of the most significant phenomena of human life. It proves that the development of culture has become an end in itself. Man may be a rational being, but he certainly is not a utilitarian one. The constant revision and expansion of his social heredity is a result of some inner drive, not of necessity.

    It seems possible that the human capacity for being bored, rather than man’s social or natural needs lies at the root of man’s cultural advance.

    — Ralph Linton, The Study of Man, 1936

    [via The Banquet Years]

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  • All of the September 11s

    An initial disclaimer: I know this post is a bit of a mess, but I can’t figure out how to put everything I want to talk about today into a coherent essay.

    chile-9-11.jpeg
    The Chilean presidential palace in Santiago on Sept. 11, 1973, when President Salvador Allende was overthrown.

    September 11 is an anniversary for more than people who experienced the one in 2001. Today is the 30th anniversary of the US-backed coup which overthrew the democratically-elected President of Chile, Salvador Allende. Of course, one is more likely to see coverage of this fact in foreign media than in our own. I grabbed the photo above from a rather dismissive article in yesterday’s NY Times, which spends a great deal of time blaming Allende for trying to move too quickly to the left. The article fails to mention the US involvement in the coup.

    I was reminded of the unfortunate coincidence by a death that occurred this week — that of Leni Riefenstahl.

    What do you mean by that?” she asked, clearly surprised. “Where is my guilt? I can regret. I can regret that I made the party film, ‘Triumph of the Will,’ in 1934. But I cannot regret that I lived in that time. No anti-Semitic word has ever crossed my lips. I was never anti-Semitic. I did not join the party. So where then is my guilt? You tell me. I have thrown no atomic bombs. I have never betrayed anyone. What am I guilty of?”

    The quote comes from an amazing film I watched earlier this year, The Wonderful Horrible Life of Leni Riefenstahl, when the film maker confronted her over whether she should feel guilty.

    It is an interesting question. She has been vilified for making films for the Third Reich, but people like Henry Kissinger who planned the Chile coup, and used our tax dollars to help pay for it, happily attend charity functions, serve on corporate boards, and get mentioned in the gossip columns. Henry Kissinger is as much of a war criminal as anyone alive in America, but no one attacks him — I mean verbally or with some red paint — when he arrives for lunch at The Four Seasons. I worked in 2 WTC on the 100th floor when I first moved to NYC in 1989. I remember seeing Kissinger in the lobby of my building one afternoon and the horror I felt at being in the same (albeit large) space.

    I will admit I have never seen Olympia, but I recently watched Triumph of the Will. The latter is horribly brilliant. Seventy years later, one can be horrified by the regime it glorifies while at the same time being moved by the artistry of it. Also, this being 1934, the war had not begun, and seeing the faces of young men you knew would be dead within 10 years, or cities that were bombed to rubble when they still were masterpieces of centuries-old architecture, is chilling. As someone who cares deeply about art, it is… searching for words here… disturbing to see how art can make a vile regime appear heroic and virtuous.

    Leni Riefenstahl was an artist, and in the 1930s she used her art for invidious purposes. Let’s remember she did so in a regime that killed its opponents. Dachau, which I have visited, was built as soon as the Nazis achieved power, and was used to imprison political prisoners. Americans today say they don’t understand how something like Nazi Germany could happen, but they can’t even be bothered to pay enough attention to know that Iraq wasn’t involved in 9/11, or to read newspapers, or to vote. I am no longer interested in hearing from Americans how the Germans didn’t do enough to resist Hitler and the Nazis. No, they didn’t do enough, but we as a people are in no position to talk about resistance to a regime that betrays the will of the people and commits atrocities in their name. The Bush regime doesn’t have to put people in camps — the “opposition” party runs screaming away as soon as their patriotism is questioned — and the media rarely challenges any of its statements.

    Being an artist doesn’t absolve her of any responsibility, but I suspect that as a woman she took a chance to have the kind of money and opportunities that would have been quite rare for someone like her in the 1930s. Can someone explain to me what the mitigating circumstances might be for the likes of Nixon and Kissinger? What ends justified the means? Why we had to kill 55,000 Americans and millions of Viet Namese? Why we supported the people that killed an opponent of Pinochet with a car bomb in central Washington DC?

    Someone asked me today if I felt sad about the anniversary. No, I don’t. I am pissed off! Where is the independent investigation into 9/11? Where is the investigation into the anthrax mailings? Who is going to explain to us why we had to attack Iraq when Saudi Arabia provided the support and money for the 9/11 hijackers? There are questions that need to be answered if we’re going to be anything other than a banana republic with the world’s largest military.

    Are Americans suckers? Is all they care about a chance to sit at home and watch another stupid reality show?

    I think the majority of Americans have the government and the leaders they deserve, but those of us with some brains, a little common sense, and a sense of decency do not deserve to live under this regime.

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  • Chelsea Gallery Scene

    Yea! It’s started! I’m too busy with my artist web hosting biz to do much posting on art, but James has a write-up on last weekend’s adventures.

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  • Opus flies again

    Opus flies again! Berkely Breathed is returning with a new comic strip.

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  • Harvey Milk – the afternoon

    As promised, we went back at 3 for the kids leaving at the end of the school day. By this point, only the twinkie guy and the two others (that got left when the Phelps clan left via shiny Lincolns in the morning) were there. I added a few more photos to the gallery.

    The twinkie guy held an extension cord to demonstrate the male/female aspect of electrical plugs, saying that this proved that homosexuality was unnatural. Someone yelled at him to tell him his big tool belt was “very Village People.” I was amused to see him waving the plugs at the transgender kids that walked across the street to confront him. Their cohorts over on our side of the street yelled encouragements, such as “smack him with your tits!” and chanted “We’re people! Not Plugs!”

    After a bit the two bible guys walked over to the corner of Astor and Broadway — out of their pen! A group of us went with our signs to get between them and the kids headed that way on their way out of the school. At first the police didn’t like it and told us to go back to our pen, but we told them we didn’t want the kids to get yelled at by the bible-thumpers. They were sympathetic, and just brought some more barricades and made us and the two bigots a new holding area. Our original four good guys were eventually joined by more people, including several teachers from other schools that had arrived by that point. I had a bit more flashback to my southern upbringing than I wanted as one of them yelled in the cadence of a fire and brimstone preacher about gays, AIDS, etc. It was an interesting experience — we were standing right next to them in a 4′ x 10′ barricaded space next to Astor Hair.

    One of the kids handed us a white paper heart that said, “My Big Gay Heart Loves You.”

    Updated: See James‘s afternoon report, including some nice photos of the kids that crossed the street to confront the bigots.

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  • Harvey Milk Coverage

    Coverage of today’s Harvey Milk “event”: CNN International and 365 Gay

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  • Fred Phelps at Harvey Milk

    Fred “God hates Fags” Phelps, the man famous for picketing funeral of people who have died of AIDS and the Matthew Shepard funeral, arrived with his little group to protest the first day of school at Harvey Milk High School.

    There are a lot more anti-Phelps protesters — we arrived at 7:30am and there was already a huge crowd.

    I have a gallery with a few photos I took. Highlights of the morning:

    • The crowd cheered the school kids as they walked past us to enter the school.
    • The Police actually moved the barricades to give us more room, and put us closer to the Phelps gang across the street, when the “FAGS FDNY” and “Thank God for 9/11” signs appeared. I’m sure they also appreciated it when the Phelps people brought out the American flags to stand on.
    • Someone yelled out, “Love the purple jacket, Fred!”
    • Around 8:15 black towncars arrived and took most of the Phelps people away. They used a car service!
    • There was one heavy guy on the Phelps side wearing a Twinkie box as a hat.
    • They used printed lyrics to help them out while singing.
    • There was a big garbage truck next to them, being loaded with demolition debris, for most of the demo. When it left around 8:30, people yelled, “Hey! Your ride is leaving!”

    I’ll be back there at 3:00 when the kids get out of school.

    Here is what I wrote when people started screaming about segregation and “the gay high school.”

    Updated: James‘s post and photos are up too.

    Updated again — I’m in the photo at the top of the MSNBC article — the blue and white striped shirt.

    barry-reuters.jpg

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