• Followup to “The Men of Ward 57”

    After seeing my post The men of ward 57, a friend who was a “Donut Dolly” visiting soldiers in the hospital during the Viet Nam War, and says it’s time to do it again, sent me the information for people interested in volunteering here in NYC:

    To register to volunteer at the Veterans hospital

    423 East 23rd Street (just east of First Avenue)
    Room One South (ask Security)
    Frank Civitillo or his assistant
    212-686-7500 x 7920
    walk in Mon-Fri 8:00 am to 4:00 pm

    They will interview you and arrange for a T.B. shot. There are plenty of volunteers now, during this height of feeling, but many surviving Veterans probably need whatever you offer.

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  • We got ya culture right here

    Yeah!

    ArtsJournal has launched several weblogs:

    Interesting… I just noticed Greg Sandow mentions that his wife is NY Times critic Anne Midgette. She has an interesting way with reviews. I didn’t care for this one at all, and I was at the concert, but her review of Verdi’s MacBeth by the Kirov was pretty funny, if a bit light in its attempts to amuse the reader:

    David McVicar’s 2001 production looked as if the Kirov had given him the lowest budget possible, then left the sets at home.

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  • Reuters didn’t get the memo

    Wow — look at this headline:

    Jessica Lynch Due Home After Media Hype on Heroism

    PALESTINE, W.Va. (Reuters) – Jessica Lynch, the wounded Army private whose ordeal in Iraq was hyped into a media fiction of U.S. heroism, was set for an emotional homecoming on Tuesday in a rural West Virginia community bristling with flags, yellow ribbons and TV news trucks.

    But when the 20-year-old supply clerk arrives by Blackhawk helicopter to the embrace of family and friends, media critics say the TV cameras will not show the return of an injured soldier so much as a reality-TV drama co-produced by U.S. government propaganda and credulous reporters.

    “It no longer matters in America whether something is true or false. The population has been conditioned to accept anything: sentimental stories, lies, atomic bomb threats,” said John MacArthur, the publisher of Harper’s magazine.

    Lynch became a national hero after media reports quoted unnamed U.S. officials as saying she fought fiercely before being captured, firing on Iraqi forces despite sustaining multiple gunshot and stab wounds.

    In the end, Army investigators concluded that Lynch was injured when her Humvee crashed into another vehicle in the convoy after it was hit by a rocket-propelled grenade.

    Far from a scene of battlefield heroism, the Army said the convoy blundered into the ambush after getting lost and many of the unit’s weapons malfunctioned during the battle.

    The U.S. military also released video taken during an apparently daring rescue by American special forces who raided the Iraqi hospital where she was being treated.

    Iraqi doctors at the hospital said later the U.S. rescuers had faced no resistance and the operation had been over-dramatized.

    Quoting the Harper’s publiser? They’ll be banned from Washington! Well, they are a British company, so they sometimes act like real journalists rather than what we’re getting out of our own media at this point.

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  • Jessie’s photos of NYC

    Jessie of contrasts.net has up some cool photos from his recent NYC trip.

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  • Guardian to publish American magazine

    I was reminded that I hadn’t posted anything about this when I saw the article in the NY Times today. The Guardian, a great leftish British newspaper, is considering an American weekly magazine. I would buy several gift subscriptions right away? Not only is their political and world events coverage great, they are one of the smartest voices covering books and the rest of the arts. For an example, see this article on Strauss’s opera Die Schweigsame Frau (The Silent Woman):

    The librettist was Jewish. The composer was head of the Reich Music Chamber. But Stefan Zweig and Richard Strauss still managed to beat the Nazis and get their comedy sea opera on stage.

    New York Magazine had an article by Michael Wolff titled En Guardian! on this a couple of weeks ago.

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  • The men of ward 57

    ward57.jpg

    Even though he will begin married life in a wheelchair after the loss of both his feet, First Lt. John Fernandez, a West Point graduate, swears he won’t feel sorry for himself. Not when three men around him came home from Iraq in body bags.

    While our media writes about what seems to be considered a relatively low number of (American) deaths in Iraq, Daily Kos tells us about The men of Ward 57. More than 650 seriously wounded soldiers have passed through Walter Reed Hospital since March. If we had a real media this would be in the news more.

    This line really got me:

    Pfc. Danny Roberts was wishing for Faulkner instead of a glossy guide about adapting to limb loss.

    These people are maimed in a war that we didn’t need to fight that was built on lies. Today the NY Times reports that we were conducting air raids starting in 2002 to prepare for an invasion of Iraq.

    The strikes, which were conducted from mid-2002 into the first few months of 2003, were justified publicly at the time as a reaction to Iraqi violations of a no-flight zone that the United States and Britain established in southern Iraq. But Lt. Gen. T. Michael Moseley, the chief allied war commander, said the attacks also laid the foundations for the military campaign against the Baghdad government.

    Indeed, one reason it was possible for the allies to begin the ground campaign to topple Mr. Hussein without preceding it with an extensive array of airstrikes was that 606 bombs had been dropped on 391 carefully selected targets under the plan, General Moseley said.

    One of the things that drove the Soviets out of Afghanistan was the streams of amputees coming home despite the government and the media telling the people that the war was going well.

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  • Today’s Man

    I went to the opening of Today’s Man at John Connelly Presents. Due to the fact that the MTA decided to shut down the L-train from Eighth Avenue to Lorimer Street(!) the crowd took a while to assemble, which meant those of us arriving near 6 could actually see the work, a rather unusual occurrence at his openings.

    It’s a very good show, with about 50 works by male artists on male subjects. As James pointed out, there isn’t a lot of nudity, as you might expect at such a show. The link above on Douglas Kelley’s web site lists all of the artists, so I’ll only mention the works that struck me:

    • A dark oil painting of a boy on a windowsill by Tim Lokiec
    • A drawing by Paul P.
    • A collage by Tony Feher that included a sexy ass shot of someone, a coffee cup lid, an cigarette butt, and a prescription label — hey, he and James have the same doctor!
    • A beautiful drawing (on vellum?) by Assume Vivid Astro Focus/Eli Sudbrack
    • A drawing of a boy in a rowboat about to be attacked by a tentacled monster by Hernan Bas
    • A collage by Christian Holstad
    • A delicate drawing by Nick Mauss
    • A painting by Michael Wetzel — I really like his work the more I see it

    Speaking of Paul P, check out the nice review he got from Holland Cotter. Knowing that Paul loves Whistler, getting compared to Whistler and Caravaggio’s “punk angels” is a good thing. He was down from Toronto for the opening.

    On the subject of reviews, in a week when even the troglodyte Michael Kimmelman reviews this sort of work (see the Holland Cotter link above), it shocked me to see New York Data Probe’s dismissive comments on the John Connelly show. There is a fine line between amusing Gawker-esque snarkiness and being a philistine. I think NYDP has crossed that line. Quote:

    John Connelly Presents presents its second opening in two weeks, for the show “Today’s Man,” with 49 artists, not many of them artists by career.

    Lucky for me that this is basically a rerun of the last opening, because I can’t be there–I’m going to the Hamptons.

    What does “not many of them artists by career” mean? I’ve seen most of them in galleries whose taste I respect. Are they not “by career” unless they’re making a good living at it like Ross Bleckner or Annie Leibovitz? Ugh.

    It’s also poor journalism to say “a rerun of the last opening” when there isn’t that much overlap. I assume he is referring to the work that John is showing at D’Amelio Terras, and not the last show in his space with Dearraindrop.

    What’s the point of having an art blog if your writing is even more sloppy than the print journalists? I’m no Tyler Greene or Tom Moody, but I would be embarassed to write such a thing without some air quotes.

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  • Outpost / Future Species

    Last Sunday we went to DUMBO to see Outpost at Smack Mellon and Future Species at DUMBO Arts Center (DAC). The press release for “Outpost” is from a real estate site, since Smack Mellon hasn’t updated their web site in a month. While you’re on that site, feel free to buy me one of the penthouses at 30 Main Street as a present.

    The DAC show was a bit disappointing. The best works in the show, and not just because we own one of them, are the Matthew Callinan sculptures. They’re quite magical, hanging in a space with large windows in DUMBO, and everyone walking into the gallery talked about them and smiled. I also liked the twisted toy sculptures of David Krepfle.

    The “Outpost” show at Smack Mellon, curated by Ada Chisholm, was excellent. I’m very sorry I missed Cory Arcangel‘s power-point-presentation-with-Van-Halen-guitar-solo at the opening. His work in the show consists of “videos” on DVD created by tricking QuickTime to interpret memory blocks in his computer as video data. They’re quite beautiful. Greg Simsic, who is also the author of some design and computer books, had a great installation of 11 video monitors stacked on several folding tables. They showed various activities in his studio — picking up objects, things getting soaked, hands dipping into paint, etc. Chad Silver had a funny video in which he looks around his apartment for animals and characters hidden in the patterns of the wall textures, clothing piles, and other places.

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  • Single-party rule

    Non Sequitur on single-party rule

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  • Jingoism in the defense of…

    The Washington Post reports that the White House was so unhappy about an ABC News story about bad morale in Iraq that they pointed out to Matt Drudge that the reporter who did the story is gay and Canadian. Unless they’re trying to use jingoism and homophobia to further their fascist aims, what’s the point?

    Some folks in the White House were apparently hopping mad when ABC News correspondent Jeffrey Kofman did a story on Tuesday’s “World News Tonight” about the plummeting morale of U.S. soldiers stationed in Iraq.

    So angry, in fact, that the next day, a White House operative alerted cyber-gossip Matt Drudge to the fact that Kofman is not only openly gay, he’s Canadian.

    Yesterday Drudge told us he was unaware of the ABC story until “someone from the White House communications shop tipped me to it” along with a profile of Kofman in the gay-oriented magazine the Advocate.

    White House Press Secretary Scott McClellan “is having a rough first week,” Drudge said. “The White House press office is under new management and has become slightly more aggressive about contacting reporters. This story has certainly become talk radio fodder about the cultural wars-slash-liberal bias in the media.”

    A network insider was less sanguine about the White House tactic: “Playing hardball is one thing. But appealing to homophobia and jingoism is simply ugly.”

    Mr. Drudge is rather quiet about his own orientation when the subject comes up.

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