• Linkage

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  • Manuela Leal

    manuela-leal-kalashnikov.jpeg

    Manuela Leal
    Kalashnikov Close-Up, 2007
    58 × 78 Inches (4 parts)

     

    I haven’t seen this work in person. I saw it on Manuela Leal‘s RSS feed for her website. Yes, I still actually follow via RSS every artist on ArtCat. I have emailed with her about this series of work in the past, and learned a few things about where these come from.

    These are color pencil and spray paint on inkjet prints. The images come from various war-related foreign videos on YouTube. I watch the videos and take stills from the computer screen with a digital camera. I then print the images, have layers of spray paint and then color pencils on top… I have been interested in war images and in “rebuilding” images of war and bombed, decimated buildings and places for a while now…

    On YouTube, these videos are often posted as “responses” to other videos, as “justifications” (i.e.: a documentary on Croatian concentration camps will be posted in response to a serbian nationalistic video, and a video of a foreign mujahideen on the side of Bosnians torturing Serbian soldiers will be posted in response to a video on the massacre of Bosnians in Srebrenica by Serbs…).

    I recognize that detached from language (they are often in languages I cannot understand), these images of war (and often propaganda) are posted, watched and commented on by people to whom images still carry immense urgency and power – they need to be seen…

    I would like to know if” art” could still envision another reality, if by “altering” images one can offer the possibility – even if fictional – of change…

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  • Barricades


    If I could believe that going to a barricade would affect man’s fate in the slightest I would go to that barricade, and quite often I wish that I could, but it would be less than honest to say that I expect to happen upon such a happy ending.

    Joan Didion, Morning After The Sixties, 1970

    I just finished reading The White Album by Joan Didion. I have read a couple of other books of her essays, and of course I read everything she writes for the New York Review of Books.

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  • Sarah Braman at Priska C. Juschka Fine Art

    Sarah Braman at Priska C. Juschka Fine Art

    Sarah Braman at Priska C. Juschka Fine Art

    Sarah Braman at Priska C. Juschka Fine Art

    Sarah Braman at Priska C. Juschka Fine Art

    Sarah Braman
    Jody Wants to Know More about Lasers, 2007
    Plexiglass, furniture, and paint
    31 × 36 × 36 inches

     

    Here is another work from the show I mentioned Friday. Sarah is one of the artists who runs the excellent Lower East Side gallery CANADA.

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  • Carrie Marill at sixspace

    CarrieMarill.jpg

    Carrie Marill
    Whooping Crane, Endangered, North America
    Kokia Drynarioides, Endangered, USA
    Monkey Puzzle, Threatened, South America
    Baishanzu Fir, Endangered, China
    Brown Pelican, Protected, USA
    Eurasian Wryneck, Endangered, Eurasia
    Hawaiian Crow, Extinct in Wild, USA
    Whiskered Tern, Threatened, Europe
    Arizona Leather Flower, Threatened, USA
    , 2007
    Gouache on paper
    30 × 22 inches

     

    If you’re reading this right now in Los Angeles, you can head on over to Carrie Marill’s show opening tonight at sixspace. Caryn Coleman of sixpace was cool and together enough to be IMing with me right before the opening, and sent me a link to some images. Having just watched a PBS show about John James Audobon, I was particularly struck by these beautiful images of “gouache-on-paper paintings depicting threatened or endangered flora and fauna existing in an imaginary world.”

    I was not surprised to see Walton Ford interviewed on the TV show about Audobon.

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  • Michael Yinger at Priska C. Juschka Fine Art

    Michael Yinger at Priska C. Juschka Fine Art

    Michael Yinger at Priska C. Juschka Fine Art

    Michael Yinger at Priska C. Juschka Fine Art

    Michael Yinger at Priska C. Juschka Fine Art

    Michael Yinger at Priska C. Juschka Fine Art

    Michael Yinger
    all i know is that i don’t know nothin’, 2007
    mixed media
    approx. 10 × 20 feet

     

    This work is part of an exhibition curated by gallery artist Ryan Schneider closing today, so head on over! There are a number of great installations in the show. Michael Yinger is from Indiana, so note that he chose white trash to make up that state. Priska told me she had asked him about the cigarette butts used for Washington state, as we both agreed it seemed an odd choice. He said he just liked the way they looked, and Washington was a big state.

    Related: Heart As Arena did a post on the show.

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