• Linkage

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  • This does not seems like a recipe for a good police department

    Smaller NYPD class raises fears, AM New York (emphasis mine below)

    Researchers and city officials Wednesday wondered if an increasingly stretched police force can continue to keep crime rates down on the same day that the NYPD fell far short in its goal of 2,800 recruits at cadet graduation.

    While 1,097 cadets graduated Wednesday, the department is 1,828 short of the number of officers it is allowed to hire this year, an NYPD spokesman said. The force has steadily declined as veteran officers retire or leave the city to work in higher-paying areas.

    Critics have charged that the city is unable to attract enough recruits because NYPD salary levels are not competitive with those in the suburbs and New Jersey. Police academy recruits start at $25,100, a rate that’s lower than newly hired sanitation workers, Central Park gardeners and plumbing inspectors. Top pay maxes out at $59,588.

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  • Pucci

     

    Related:

    Braniff Airlines flight attendant uniforms by Pucci and Halston

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  • Foxy Production expanding overseas?

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    Hany Armanious, Lion Eyes, 2004-7 (detail view)

     

    A bilingual announcement of a show in Paris arrived in my inbox last night from Foxy Production. The English section is reproduced below.

    Castillo/Corrales and Galerie Balice inaugurate their guest program with “Lion Eyes”, a project by Hany Armanious, organized by Foxy Production (New York).

    Lion Eyes comprises a mechanized spiral vortex, known as a “trizonal space warper”, and a copy of “Crying Boy”, from the mythologized and widely reproduced series of paintings attributed to Bragolin, a Spanish artist also known by many other names. Armanious invites one to gaze at the “space warper”, which after ten seconds confuses the brain, creating an hallucinatory undulating effect. When one then turns to the “Crying Boy”, the space between it and the viewer seems to collapse as it billows out into three dimensions.

    Using disparate materials and motifs, Armanious interweaves materiality and opticality to draw attention to widely overlooked or specious cultural phenomena. He produces installations and sculptural forms that are irreverent, critical, and anarchic.

    Hany Armanious (Cairo, Egypt, 1962) holds a BA in Visual Arts from the City Art Institute, Sydney, Australia. He was included in the Aperto section of the 1993 Venice Biennale, the 1994 Sydney Biennale, and the 1995 Johannesburg Biennale. In 1998 he was awarded the Möet and Chandon Fellowship. In 2001 his major installation work Selflok was showcased at the UCLA Hammer Museum, Los Angeles. He currently has a solo exhibition at Wellington City Gallery, New Zealand. A new monograph on Armanious’ work will be produced in partnership with IMA, Brisbane.

    Foxy Production is a contemporary art gallery based in New York with a diverse program, whose mission is to foster distinctive artists that challenge both aesthetically and conceptually.

    Galerie Balice will open this September in the near proximity of castillo/corrales.

    castillo/corrales is a gallery run by a group of artists, curators and writers, based on the principle of French hospitality.

    For further information or high resolution images contact Chelsea Goodchild: t: +1 212 239 2758

    Related: James wrote about Hany Armanious’s work that Foxy showed at The Armory Show.

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  • Gone Missing

    See! I told you to go. Time Out NY loves it. We’re seeing it tonight (Thursday).

    Yet no mere catalog of the showÂ’s selling points can do justice to its overall effect. Some of the stories involve the seemingly insignificant disappearance of small objects; others treat the loss of graver things like language, parts of dead bodies and, in FriedmanÂ’s songs, romantic attachment. These disparate tales are crafted into a mosaic whose abstract design is visible from afar, yet whose constituent parts retain their particularity. At once erudite and democratic, Gone Missing is not merely a witty, quick-footed and entertaining evening of theater; it is also a finely tuned inquiry into the nature of memory that manages to be forward-looking at the same time. Gone MissingÂ’s links between past and present provide clear evidence of evolution in the world of modern theater. Miss it and weep.

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  • Linkage

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  • 31 Grand announces its re-opening on the Lower East Side

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    Tom Sanford, Beckhams diptych [found on his blog]

    I’m so happy that they’ve announced the opening date for their inaugural show on Ludlow Street: No New Tale To Tell.

    Tom Sanford
    has more details.

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  • Jacques Louis Vidal at SUNDAY – more performances

    Jacques tells me there will be more performances on July 6 and 7 at SUNDAY. See the previous blog post for more information on what to expect.

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  • Linkage

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  • Two musical videos

    Two fun YouTube finds.

    Dan Deacon! I own a CD of his music. Local television in Savannah/Hilton Head is pretty hip if this is the kind of thing they present!

     

    Deee-Lite

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