• Idiocracy

    Idiocracy is one of my favorite films of the last couple of years. Speak Up has a great write-up on the amazing design of the movie. Via Signals vs. Noise.

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  • Concert tomorrow

    We plan to attend this tomorrow. Ensemble Pi is a wonderful group of musicians with a social conscience.

    Eyal-Danieli-when-words-fail.jpg

    Eyal Danieli (detail)

     

    Ensemble Pi Presents

    WHEN WORDS FAIL
     
    Thoughts About Peace in a Time of War
    Second Annual Concert

    Friday, March 16, 2007
    Judson Peace Church
    55 Washington Square South
    212.477.2419

    Admission $15 at the door

    Program:

    John Harbison
    Abu Ghraib (2006) for piano and cello

    Kristin Norderval
    Voices From Iraq (2007)
    World Premiere

    Frederic Rzewski
    Down by the River – from North American Ballads for Piano (1979)

    Alice Shields
    Mioritza: Requiem for Rachel Corrie
    for Trombone and Tape (2004)

    Dmitri Shostakovich
    Piano Trio No. 2 in E Minor, opus 67
    1944

    Philip Wharton
    3 Sassoon Songs for voice and violin (2007)
    World Premiere

    Guest Speaker
    Anat Biletzki

    Performers:

    Richard Burkhart, Cello
    Monique Buzzarté, Trombone
    Idith Meshulam, Piano
    Kristin Norderval, Voice
    Philip Wharton, Violin

    Funded by the generosity of the Lower Manhattan Cultural Council and Klavierhaus

    In a program note for “Abu Ghraib ,” Harbison writes that this “piece is not a protest or a moral lesson. These would require little bravery. Instead it seeks music in a moment when words can fail.”

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  • Web/print book from Jacques Louis Vidal

    Jacques Louis Vidal, who was in the show we curated last year, has a new book project. There is a “hand bound limited printing of the book” for sale in addition to the pages on the web.

    The Journey 2 the Center of the Internet

    Here is a sample image, shrunk a bit for the blog.

     

    jacques-louis-vidal-page7.JPG

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  • David Shapiro’s cast bronze pistachio nuts

    I spotted these in Front Room‘s area at Fountain last month.

     

    David Shapiro at Front Room (Fountain)

    David Shapiro at Front Room (Fountain)

     

    I love the pricing structure:

    • $90 nut only (no shell)
    • $90 empty half shell
    • $150 empty full shell
    • $175 shell containing nut

    He has a show at Pierogi 2000 opening on Friday, titled “Iraq Rock,” described thusly

    This exhibition will feature an 8-by-8 foot tabletop model of a hypothetical benefit concert, Rock Iraq, which doesn’t exist but quite possibly could. It is a concert with corporate logos but no sponsors, no musicians, and no music. It exists as a tabletop model to American ambiguity, assuaging guilt, displaying compassion, condemning failure, and inventing triumph.

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  • Congratulations to Benjamin Evans

    The artist Benjamin Evans is the new Gallery Director of NURTUREart. We first met him through Momenta, where he was helping out with grant writing and the annual benefit.

    Not only does he have a new position, but he also has a solo show opening at Sarah Bowen Gallery in Williamsburg this Friday. A sample painting — a modified thrift store find — is pictured below.

    Benjamin Evans

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  • ArtCal newsletter breaks 1000

    The weekly ArtCal just went out to 1000 subscribers!

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  • Claudine Anrather at 31 Grand (29West)

    During the art fair madness, three galleries — 31GRAND, Irvine Contemporary, and Michael Steinberg Fine Art — had a mini fair on 29th Street called 29West.

    I spotted this wonderful painting by Claudine Anrather in 31GRAND’s space. Sorry it’s not a great picture – tough mix of natural and artificial light in that space!

     

    Claudine Anrather at 31 Grand (29West)

    Piggy, 2007
    oil on linen
    5 × 6 feet

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  • Taking One for the Team / Catalogue of Ships

    Given the recent Scooter Libby trial, now seems like a good time to mention a short theater work that James and I saw last month as part of Target Margin’s season of plays inspired by classical Greek works. The theme of the play was scapegoats, and the title was “Taking One for the Team”. It managed to blend the stories of Iphigenia, Scooter Libby, plus others into a short sharp piece. It was created by the sound artist Michael Kraskin in collaboration with the cast. I loved the final speech of Iphegenia, inspired by a text of Euripides. In it she talks of how her sacrifice, and that of other Greeks, is necessary to show that the Greeks are civilized, and their enemies are barbarians.

    Thanks to that production, I discovered the podcast he has been doing with David Terry since late 2005, titled Catalogue of Ships, with the title inspired by Homer’s “Iliad”. Thanks to the power of Odeo, I’m embedding a few of my favorite episodes so far. I’ve been listening in order, and I’m only through the first year so far. If you like Robert Ashley or Mikel Rouse, I think you’ll like these.

    I chose Episode Three for its really beautiful sound design.


    powered by ODEO

    Episode Four tells the story of David Terry in Greece in October 2001, and his attempt to cheer up some Afghan refugees with some song and dance.


    powered by ODEO

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  • Suburbia

     

    Our art is supposed to be influenced by suburbia, not our lives.

     

    That’s my favorite line from Advice from a Caterpillar, which we watched last week. Recommended for the gays, the art world, and all of us who love both.

    Speaking of suburbia, Bill Owens’s series of photographs of that title is excellent. There is a book too.

     

    bill-owens-suburbia.jpg

    Bill Owens, Unititled, from Suburbia, ca. 1972-73, black and white photograph, 16” x 20”

     

    Image from James Cohan Gallery

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  • Sam Dargan at Rokeby (Pulse)

    I liked these dark political works when I saw them at Rokeby at Pulse.

    When I saw this painting:

    Sam Dargan at Rokeby (seen at Pulse art fair)

    I was reminded of one of the most effective memorials I have ever seen — the Geschwister Scoll Platz in Munich. Click on the image to get a bigger version that is easier to read.

    Here is an image from the gallery’s website:

    sam_dargan-the_great.jpg

    Sam Dargan, The great only appear great because we are on our knees, 2006

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