• Nicolas Touron

    Penguins! I spotted his work in the War and Nature show at Virgil de Voldere Gallery.

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    Vague Rouge et Pinguoin, 2006
    Ink on wood
    19.75 × 15.75 inches

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    Vague Jaune et Pinguoin, 2006
    Ink on wood
    19.75 × 15.75 inches

    The images are courtesy of Virgil de Voldere Gallery.

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  • The Matthew Barney Show at SF BOCA

    In the previous post, I forgot to mention that Eric’s Matthew Barney Show will be at SF BOCA (Bar of Contemporary Art) down the street from SF MOMA’s Matthew Barney show.

    Updated: Eric has some photos of the show.

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  • Eric Doeringer in “Variety”

    James is quoted in an article in Variety Weekend about Eric Doeringer. I have to say it’s better written than most press I’ve read about Eric’s work. Some choice quotes:

    “I love the humor in the work,” says longtime collector James Wagner, who, with partner Barry Hoggard, has a large collection of contemporary pieces with political and humorous themes. “We don’t buy Eric’s work instead of other art. We buy it because we enjoy the conceptual strategy behind it and the politics that seem to address issues of branding and star systems.”

    That idea finds even greater clarity in Doeringer’s “Cremaster Fanatic,” a faux fan site devoted to Matthew Barney, the art-world superstar best known for his inscrutable, epic-length films.

    “Barney epitomizes the notion of an artist as a celebrity,” says Doeringer. “And there’s this whole notion that the art world is supposed to be intellectual and above something like rabid fandom.”

    Ironic? Sure. That’s why Doeringer tends to invoke Andy Kauffman rather than Andy Warhol in describing his influences. “With the best of [Kauffman],” he says, “you were never really sure if it was made up or the real thing.”

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  • Alexandre Orion at Foley Gallery

    I love the way this Brazilian artist added his street art to the gallery walls. I expected to visit a conventional photography show, and was greeting with this:

    Alexandre Orion at Foley Gallery

    Two more, inside the gallery:

    Alexandre Orion at Foley Gallery

    Alexandre Orion at Foley Gallery

    The show is up for one more week.

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  • NY1 says $500K to be a “legitimate candidate”

    From Jonathan Tasini’s campain blog:

    To get on the ballot in New York, you need 15,000 signatures of registered Democrats. We blew past that number with ease, gathering 40,000 signatures from people throughout the state who, by putting their name to our petitions, said they want the opportunity to vote for another candidate, or, at least, hear what I have to say. Unlike most petitioning campaigns in New York that rely on paid workers, the overwhelming majority of our signatures were gathered by volunteers-a grassroots network of people spread across the state who braved the heat and rain to corral voters at fairs, festivals, markets, stairwells of apartment buildings or at the doors of voters’ homes.

    The first poll published in the race affirmed their hard work. Marist found that 13 percent of the voters would vote for me on Election Day-really an amazing number given that we spent very little money and that, to put it mildly, I was not a household name when I entered the race. Compare that to the Quinnipiac University poll released on February 16 that showed Joe Lieberman leading Ned Lamont by 55 points: 68 to 13. In other words, early in that race, Ned Lamont was polling at exactly the same number I am polling at now

    More important, the poll found that 70 percent of registered Democrats believe that the Iraq War should be a major campaign issue; 62 percent of the voters say they will vote for a candidate who is against the war and only 9 percent said they will vote for someone who supports the war. In other words, my position is embraced by a majority of the Democratic primary voters, while the position of my opponent has very little support.

    Yet, NY1’s position is that the people should not hear me. The network’s political director tells us that NY1 has set a criteria for participation in the debate that it is sponsoring on August 22nd: a candidate has to poll at least 5 percent and s/he has to have spent or raised at least $500,000.

    That’s right, in our democratic system, half a million bucks is the ante to get your voice heard. We have raised about $150,000 since the beginning of the campaignóbut, though weíve done An excellent job reaching out to voters given our resources, we are being penalized for not having raised enough money.

    I won’t hold my breath waiting for Atrios or Daily Kos to mention this, since they’ve never even mentioned his campaign. They seem to have plenty of time for every freakin’ detail of Ned Lamont’s campaign. The former is more like a Gawker-esque link blog than ever. I wish I could get away with that and charge $3000/month for an ad.

    I can understand why Billmon feels so disillusioned. I hear people tell me all of the time that things will be so much better if Hillary Clinton and Charles Schumer and the like are in charge. Did you notice the statements they made condemning the deaths at Qana? Of course not. There weren’t any.

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  • ArtHome

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    Via Culturebot I just learned about ArtHome which sounds like a good organization for artists to investigate.

    ArtHome helps artists build assets and equity through financial literacy and home-ownership.

    We foster long-term stability in the American Arts and Culture sector by harnessing the economic power of real estate and equity on behalf of individual culture workers.

    Through our dynamic financial literacy and home-buying curriculum, and through the creation of home buying programs, access to innovative loan products and down payment assistance, we are building a unique and complementary support structure for American culture.

    The founders are the theater artist Aaron Landsman and Esther Robinson of Creative Capital fame.

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  • Astrid Bowlby at BravinLee programs

    Astrid Bowlby at BravinLee programs

    Midden (installation detail), 2006
    ink on cut paper

    This is in a good group show called DRAW*ING (dro’ing) n.

    I wrote about an installation the artist had in Gallery Joe’s room at Scope in March 2005.

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  • “Twist it Twice” at Moti Hasson

    Here are two painting highlights from Twist It Twice, curated by Franklin Evans, at Moti Hasson. These were on either side of one corner of the room.

    Wendy White

    Wendy White
    Faintly with Rays, 2006
    acrylic and spray paint on canvas
    24 × 46 1/2 inches

    The artist has a solo show coming up at Sixtyseven, and is in a group show at a new LES gallery called V&A.

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    Paul Pagk
    untitled, 2005
    oil on linen
    24 × 25 inches

    [bottom photo from Moti Hasson’s website, top one by me]

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  • Chelsea highlights from last week

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    Reto Boller
    Untitled (AC-06.2), 2006
    Acrylic lacquer on aluminum
    30.7 × 38 × 0.2 inches

    I saw this in a group show titled I may be some time… at James Nicholson. It was my favorite piece, and made me very annoyed that I missed his solo show at the gallery. Here is an installation shot from that show:

    reto-boller-installation-4.jpg

    plus a Brooklyn Rail review.

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    John White Cerasulo
    Untitled, Near Litchfield, 2005
    watercolor on paper
    26 × 19 inches

    This watercolor was in Air, a group show curated by Amy Sillman, at Monya Rowe.

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    Simone Huelser
    Untitled, 2006
    Color copies, wheat paste
    Dimensions variable

    This was in a group show at Hudson Franklin titled Best Played with a Straight Face. According to the gallery, the artist photographs different buildings, digitally manipulates them, has color copies produced and then wheat pastes them to the wall to achieve the pattern she wants.

    [All photos courtesy of the respective galleries.]

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  • I hope I like it better than “The Gates”

    From Crain’s NY:

    A major public art project will be unveiled in January as part of the mayor’s plan to draw more tourists to New York City during the winter months.

    Artist Doug Aitken plans to create a “cinematic art experience that will directly integrate with the city’s architecture, while enhancing and challenging viewers’ perception of public space.”

    The project, which will be filmed entirely in New York City, will be projected on the facades of The Museum of Modern Art from Jan. 16 through Feb. 12.

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