• Zombies in the Zeitgeist

    Sixspace in Los Angeles just opened a show of oil on canvas and oil on paper works by Chad Robertson, titled Rise. They are inspired by

    … the films of George A. Romero and the zombie genre. For decades these films, in particular the Romero films, have explored current social or political issues and events that are channeled through this idea of a mindless, yet human, animal – a zombie.

    Here are some images. I imagine these are difficult to photograph. The ghostly technique is impressive, given the medium. Also, hairy-chested zombies / zombie victims are HOT.

     

    chad robertson zombie02

    Untitled, 2006
    Oil on canvas
    72 × 36 in.

     

    chad robertson zombie

    Untitled, 2006
    Oil on canvas
    24 × 48 in.

     

    chad robertson zombie

    Untitled, 2006
    Oil on paper
    27 × 18.75 in.

     

    adreinhardt-hello-victims.jpg

    On a somewhat related note, Art Fag City writes today about a book titled Hello Victims: Ad Reinhardt, by Brian Kennon, which she describes as

    An extension of the much larger (and soon to be published) three volume Hello Victims book, Hello Victims: Ad Reinhardt presents Reinhardt’s black paintings within the context of the equally apocalyptic lenses of Motorhead, Nuclear War and Zombie films.

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  • Parnassus silent art auction – May 30

    Parnassus_Logo.jpg

    This looks like a really good art benefit on Tuesday night. Heidi Cho Gallery is hosting a silent art auction for Parnassus Poetry in Review. It’s from 6-9 PM (bidding ends at 8:30), and admission is $10. The list of artists as of April 1 was

    David Alexander, Suzanne Anker, William Anthony, Alice Attie, Joan Banach, Lorna Bieber, Ports Bishop, Star Black, Nancy Brett, Susan Crile, Elizabeth Demeray, Lisa Corinne Davis, Jane Dickson, Cynthia Eardly, Tom Evans, Gwen Fabricant, Oriole Feshbach, Seth Michael Forman, Helen C. Frederick, Barbara Freidman, Nancy Friedemann, Mary Frank, Barbara Garber, April Gornik, Linda Gottesfeld, Regina Granne, Guerrilla Girls, Michele Handelman, Julie Heffernan, Kathrin Hilten, Barry Holden, Edith Isaac-Rose, Robin Kahn, Kazuko, Jerry Kearns, William Kentridge, Polly King, Joyce Kozloff , Max Kozloff, Jill Krementz, Bibi Lencek, Anne-Marie Levine, Ellen Levy, Morton Lichter, Martin Likton, Bonnie Lucas, Renee Magnanti, Wendy Mark, Guy Mendes, Arnold Mesches, William Meyers, Roxie Munro, Roni Nicholson, Jacqueline Morreau, Julie Oakes, Will Pappenheimer, Olivia Parker, Carol Peligian, Leemour Pelli, Kenneth Polinskie, Barbara Quinn, Robert Rauschenberg, Beth Reisman, Lucy Reitzfeld, Robert Reitzfeld, Carol Ross, Arlene Rush, Hope Sandrow, Jonathan Santlofer, Mira Schor, Linda Schrank, Christina Schlesinger, Richard Serra, Dee Shapiro, Arlene Slavin, Tom Slaughter, Aviva Slesin, Hunt Slonem, Wendy Small, Michelle Stuart, Robin Tewes, Carolee Thea, Michael Vitti, Conrad Vogel, Jonathan Waite, Jeffrey Wasserman, Madeline Weinrib, Martha Wilson, Nina Yankowitz, Brahna Yassky

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  • Pablo Helguera’s “The School of Panamerican Unrest”

    pablo-helguera.jpg

    Pablo Helguera [source]

    James and I came across this very interesting young artist at Julia Friedman’s now-closed gallery in Chelsea. His newest project is titled The School of Panamerican Unrest. It is described as

    an artist-led, not-for-profit public art project that seeks to generate connections between the different regions of the Americas through discussions, performances, screenings, and short-term and long-term collaborations between organizations and individuals. Its main component will be a nomadic forum or think-tank that will cross the hemisphere by land, from Anchorage, Alaska, to Ushuaia, Argentina, in Tierra del Fuego. This hybrid project will include a collapsible and movable architectural structure in the form of a schoolhouse, as well as a video collection component inside a van that will make the journey. The project, which seeks to involve a wide range of audiences and engage them at different levels, offers alternative ways to understand the history, ideology, and lines of thought that have significantly impacted political, social and cultural events in the Americas.

    For more information, visit the project’s website. There is also an AP story available here.

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  • Hudson Valley Road Trip

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    Stone building on grounds of Locust Lawn

    Ground Hog coffee house and motorcyle company in Wappinger Falls

    Ground Hog coffee house and motorcyle company in Wappinger Falls

    James, Mom, and I rented a Mini Cooper convertible from Zipcar on Friday and took a road trip to the Hudson Valley, including Cold Spring, Wappinger Falls, and New Paltz. I highly recommend seeing Huguenot Street in New Paltz, with houses dating from the early 1700s. I can also recommend the Foundry Cafe in Cold Spring for lunch, and the Ground Hog in Wappinger Falls for coffee or a meal.

    I put up some photos on Flickr of the trip.

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  • Plan B Prevails

    Jill Auckenthaler

    Jill Auckenthaler

    I uploaded a few images from the Plan B Prevails opening. Go here to see them.

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  • Light posting

    Mom’s visiting this week, so posting will be light or non-existant. Flickr photos might appear.

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  • Comments are now moderated

    I don’t enjoy coming home to the level of discourse I get when my post on Jean Rohe’s speech has such a high Google rank. From now on, all comments must be approved. I don’t need to hear people calling for violence, or calling her a cunt, on my blog. Get your own damn site if you want to do that.

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  • Plan B re-opening covered by Crain’s New York

    The story is here.

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  • Sounds like a culture war

    “Sounds like a culture war” was James’s reaction when I told him about the New York Daily News editorial on the Brooklyn College MFA show.

    ‘Plan B’ from outer space

    The mewling you hear in Brooklyn emanates from Brooklyn College art students whose education obviously did not include informing them that, no, you can’t do anything you want anywhere you please.

    The young artistes are up in arms that borough Parks Commissioner Julius Spiegel closed their exhibit, “Plan B,” at the Brooklyn War Memorial after some works – including a penis sculpture – were deemed inappropriate for display in a hall that is open to the general public and, just as important, part of a commemoration of valor. How dare Spiegel close the show without asking them? the students fume. And how dare the Brooklyn College administration fail to defend their rights to show their stuff just where they please?

    Reality check, children: Not only can someone tell you “no,” but – shocking! – being told “no” is not a violation of your First Amendment rights. Spiegel showed backbone, and the college made the wise choice in moving the show onto campus, where students, faculty and assorted Chardonnay sippers can muse about its merits. Get used to not being the center of the universe, kids.

    Chardonnay sippers?! Everyone knows real men don’t have anything to do with education and going to college!

    [link via Carl Ferrero

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  • Jean Rohe’s graduation speech

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    Jean Rohe was the speaker at the New School graduation before John McCain. Many of the students were understandably outraged that the president of the school, Bob Kerrey — a war criminal — invited McCain to speak at the graduation. His right wing ideology has nothing to do with the progressive history of the New School.

    She has a post about her experience, including the text of her speech, at The Huffington Post.

    Some excerpts are below:

    It’s been noted in several columns that anti-McCain sentiment coming from the left may actually help him to garner support from the conservatives by giving him the opportunity to paint us as extremist liberals, so we should all keep our mouths shut. I say we need some “extremist liberals” if we’re ever going to get our democracy back. Others have said that he’s a moderate at heart and that we should let him continue pandering to the religious right so he can get the vote. Once he gets into office he’ll show his true colors and be the centrist he always was. I don’t buy that. People who truly care about human beings don’t vote for an unjust war, among other things, simply as a political maneuver. Enough said.

    More importantly, I feel obligated to respond to one thing that McCain told the New York Times. “I feel sorry for people living in a dull world where they can’t listen to the views of others,” he said. This is just preposterous. Yes, McCain was undoubtedly shouted-out and heckled by people who were not politely absorbing his words so as to consider them fully from every angle. But what did he expect? We could’ve all printed out his speech and chanted it with him in chorus. Did he think that no one knew exactly what he was about to say? And it was precisely because we listen to the views of others, and because, as I said in my speech, we don’t fear them, that we as a school were able to mount such a thorough and intelligent opposition to his presence. Ignorant, closed-minded people would not have been able to do what we did. We chose to be in New York for our years of higher education for the very reason that we would be challenged to listen to opposing viewpoints each and every day and to deal with that challenge in a nonviolent manner. We’ve gotten very good at listening to the views of others and learning how to also make our views heard, even when we don’t have the power of national political office and the media on our side.

    Here is the conclusion of her speech:

    What is interesting and bizarre about this whole situation is that Senator Mc Cain has stated that he will be giving the same speech at all three universities where he has been invited to speak recently, of which ours is the last; those being Jerry Falwell’s Liberty University, Columbia University, and finally here at the New School. For this reason I have unusual foresight concerning the themes of his address today. Based on the speech he gave at the other institutions, Senator Mc Cain will tell us today that dissent and disagreement are our “civic and moral obligation” in times of crisis. I consider this a time of crisis and I feel obligated to speak. Senator Mc Cain will also tell us about his cocky self-assuredness in his youth, which prevented him from hearing the ideas of others. In so doing, he will imply that those of us who are young are too naïve to have valid opinions and open ears. I am young, and although I don’t profess to possess the wisdom that time affords us, I do know that preemptive war is dangerous and wrong, that George Bush’s agenda in Iraq is not worth the many lives lost. And I know that despite all the havoc that my country has wrought overseas in my name, Osama bin Laden still has not been found, nor have those weapons of mass destruction.

    Finally, Senator Mc Cain will tell us that we, those of us who are Americans, “have nothing to fear from each other.” I agree strongly with this, but I take it one step further. We have nothing to fear from anyone on this living planet. Fear is the greatest impediment to the achievement of peace. We have nothing to fear from people who are different from us, from people who live in other countries, even from the people who run our government—and this we should have learned from our educations here. We can speak truth to power, we can allow our humanity always to come before our nationality, we can refuse to let fear invade our lives and to goad us on to destroy the lives of others. These words I speak do not reflect the arrogance of a young strong-headed woman, but belong to a line of great progressive thought, a history in which the founders of this institution play an important part. I speak today, even through my nervousness, out of a need to honor those voices that came before me, and I hope that we graduates can all strive to do the same.

    [image from The Huffington Post]

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